the kinte space [KinteSpace] Does Anyone in Syria Fear International Law? []

Bryan D. Wilhite [BryanWilhite] Chinese Billionaire Linked to Giant Aluminum Stockpile in Mexican Desert []

the kinte space [KinteSpace] Toxic soil in one black community is forcing more than 1,100 residents out of their homes []

the kinte space [KinteSpace] Sick Business []

the kinte space [KinteSpace] Hero or Murderer? 15-Year-Old Bresha Meadows Faces Life in Prison for Killing Abusive Father []

the kinte space [KinteSpace] Aurora massacre survivors sued. How did 4 end up owing the theater $700,000? []

the kinte space [KinteSpace] The Undermining of American Charity []

the kinte space [KinteSpace] Colin Kaepernick’s issue with the national anthem is history repeating itself []

the kinte space [KinteSpace] Kaepernick’s Protest is Revolution of the Mind – A Great Opportunity Squandered []

the kinte space [KinteSpace] Are we really so modern? []

the kinte space [KinteSpace] One of Europe’s Biggest Companies Loses 40 Million Euros In Online Scam []

Bryan D. Wilhite [BryanWilhite] The Do’s And Don’ts Of Doing Business In Nigeria []

Emil B. Hirai-Garuba [RatedEG] Iroko Launches IrokoX – Full Service Pan-African & Diaspora Network for Aspiring Content Creators… []

the kinte space [KinteSpace] Malawi and South Africa Pioneer Unused TV Frequencies for Rural Broadband []

the kinte space [KinteSpace] Landmark CA climate bill could have wide effects on cars, energy []

the kinte space [KinteSpace] History of the California Blacks Nation Califians (Khalifians) The First Americans [] via @eurweb

the kinte space [KinteSpace] August 30, 1983: Guion S. Bluford, Jr. Becomes The 1st African-American Astronaut To Travel In Space []

the kinte space [KinteSpace] August 27, 1949: A Mob Attacks At Paul Robeson’s Scheduled Concert []

the kinte space [KinteSpace] August 27, 1963: Dr. W.E.B DuBois Died []

the kinte space [KinteSpace] Scipio Africanus Jones: Prominent Attorney Best-Known for Defense of the “Elaine 12” []

the kinte space [KinteSpace] origins of “Aryan” and Indus mystery []

the kinte space [KinteSpace] A Russian Family Was Isolated for 40 Years, Unaware of WWII (2013) []

Safia Abdalla [captainsafia] As an engineer you are constantly in a state of discomfort and intellectual incompleteness, a state most people aren’t comfortable with.

the kinte space [KinteSpace] I’m a liberal professor, and my liberal students terrify me [] @iAyori

the kinte space [KinteSpace] How I Learned to Stop Worrying, and Build a Custom Camper Van []

the kinte space [KinteSpace] “How I Used & Abused My Tesla — What a Tesla looks like after 100,000 Miles, a 48 State Road trip…” by @SteveSasman []

the kinte space [KinteSpace] A Brief History of the College Textbook Pricing Racket []

the kinte space [KinteSpace] Graduate Students, the Laborers of Academia []

the kinte space [KinteSpace] The Internet Should Be a Public Good [] @iayori

the kinte space [KinteSpace] Internet Access May Be Getting More Affordable, But More Than Half Of The World Remains Offline [] @iayori

the kinte space [KinteSpace] Google To Drop Nexus Brand Name, Move Away From Stock Android []

the kinte space [KinteSpace] Gonorrhea Is Becoming Untreatable, U.N. Health Officials Warn []

the kinte space [KinteSpace] How exactly did lightning kill 323 reindeer in Norway? []

the kinte space [KinteSpace] Vipers, mambas and taipans: the escalating health crisis over snakebites []

the kinte space [KinteSpace] How Your Brain Becomes Addicted to Caffeine []

the kinte space [KinteSpace] Mapping the Mercantilist World Economy []

the kinte space [KinteSpace] Meet USBee, the malware that uses USB drives to covertly jump airgaps []

Tiffany Mikell [mikellsolution] Virtual classrooms can be as unequal as real ones []

the kinte space [KinteSpace] VernissageTV Magazine No. 36: Nature []

the kinte space [KinteSpace] Film Project in the works about the very odd and fascinating true story of The Silent Twins []

the kinte space [KinteSpace] Nest houses made of living trees by Patrick Dougherty []

the kinte space [KinteSpace] Dr. Boyce Watkins: Black people must educate black children on black history []

the kinte space [KinteSpace] Uganda: Cleric Predicts “Bloody War” Over Africa’S Raw Resources & Scramble Over Land []

the kinte space [KinteSpace] “There has been peace in Europe because, frankly, the Europeans are weak.” []

the kinte space [KinteSpace] Why this CEO is worth almost $1 billion but lives in a trailer park []

the kinte space [KinteSpace] “My Four Months as a Private Prison Guard”: Shane Bauer Goes Undercover to Expose Conditions []

the kinte space [KinteSpace] California: Fires Burn at “Exponential Rates” Amid Blistering Heat Wave and 5-Year Drought []

the kinte space [KinteSpace] San Francisco man fights eviction after rent increase from $1,800 to $8,000 []

the kinte space [KinteSpace] The New Payola: Deals Landlords Cut with Internet Providers []

the kinte space [KinteSpace] Amazon Has Swallowed Downtown Seattle []

the kinte space [KinteSpace] “I read this– a story about burnout and memory loss– a few months ago, and it stuck with me.” []

the kinte space [KinteSpace] As Suicide Rates Rise, Scientists Find New Warning Signs []

the kinte space [KinteSpace] Average out-of-pocket costs for hospital visit top $1,000, with insurance []

the kinte space [KinteSpace] Backstage Paradise: What They Don’t Show You in Travel Brochures []

the kinte space [KinteSpace] I’m a liberal professor, and my liberal students terrify me [] @iAyori

Ayori Selassie [iAyori]@KinteSpace this is a good one. I loved being challenged. I also challenged instructors right back which they didn’t appreciate. Complex.

the kinte space [KinteSpace] “We found one demographic that was most characteristic of cities that levy large amounts of fines” []

the kinte space [KinteSpace] “women were..less likely to participate, with participation likelihood being..correlated with self-perception” []

the kinte space [KinteSpace] To study possibly racist algorithms, professors have to sue the US []

the kinte space [KinteSpace] Doctors issue warning about effects of LED streetlights on health []

the kinte space [KinteSpace] The Devil’s Punchbowl – 20,000 Freed Slaves Died In 1Yr After Being Forced Into Post Slavery Concentration Camp []

the kinte space [KinteSpace] Thelma McWilliams Glass: Helped Organize the Montgomery Bus Boycott (1955) []

the kinte space [KinteSpace] Colorful Animation Visualizes 200 Years of Immigration to the U.S. (1820-Present) [] @libertymadison

the kinte space [KinteSpace] An Indispensable Guide to Early American Murder [] @tamtamsworld

the kinte space [KinteSpace] Bushido: Way of Total Bullshit []

the kinte space [KinteSpace] “Maps have ‘north’ at the top, but it could’ve been different” [] via @BBC_Future

the kinte space [KinteSpace] The Strange History of Microfilm []

the kinte space [KinteSpace] Google Found Disastrous Symantec and Norton Vulnerabilities That Are ‘As Bad As It Gets’ []

the kinte space [KinteSpace] 328 foot-long floating barrier will collect ocean trash [] via @engadget

the kinte space [KinteSpace] Study: 78% of Resold Drives Still Contain Readable Personal or Business Data []

the kinte space [KinteSpace] Eggs Don’t Cause Heart Attacks – Sugar Does [] @mindovermunch

the kinte space [KinteSpace] Researchers Create ‘Super Black’ Material (2014) []

the kinte space [KinteSpace] Lost Betty Davis sessions with Miles Davis released by Light In The Attic [] []

Bryan D. Wilhite [BryanWilhite] also streaming on @netflix: Bikes vs Cars [] []

the kinte space [KinteSpace] John Akomfrah Reawakens History in Chillingly Beautiful New Films [] via @artsy

the kinte space [KinteSpace] Slavoj Žižek Explains the Artistry of Andrei Tarkovsky’s Films: Solaris, Stalker & More []

the kinte space [KinteSpace] Tate Modern Artists: Tracey Emin by Neal Brown [] []

the kinte space [KinteSpace] Egon Schiele: Almost a Lifetime by Christian Bauer [] []

the kinte space [KinteSpace] Bridget Riley: Complete Prints 1962-2012 [] []

the kinte space [KinteSpace] Beckmann by Reinhard Spieler [] []

the kinte space [KinteSpace] Shani Rhys James: The Black Cot [] []

the kinte space [KinteSpace] on Kindle: Jupiter’s Legacy Vol. 1 by Mark Millar (Author), Frank Quitely (Illustrator) [] []

the kinte space [KinteSpace] I am serious @questlove: you could be the first person in the world to use a 3D-printed afro pick. Get your maker friends on this cold case!

the kinte space [KinteSpace] Fitzgerald and the Jews []

the kinte space [KinteSpace] finally working on the next version of [] [nothing visually major] [] @another_africa@liberatormag

Another Africa [another_africa] @KinteSpace @liberatormag movement is power

the kinte space [KinteSpace] Therapy is not just a white person’s occupation — why we need more black psychologists []

Maria Popova [brainpicker] The link between sugar and depression []

Blavity [Blavity] This documentary exposes truths on race, gender and sexuality in our criminal justice system [] []

the kinte space [KinteSpace] ‘African traitors!’ Chad dictator trial in Senegal has a chaotic start []

the kinte space [KinteSpace] You have to hear this impactful conversation about race with Nelson Mandela’s grandson []

the kinte space [KinteSpace] when we call someone *Black* we mostly refer to how they are treated/regarded -not who this one is politically, or soulfully

For Harriet [ForHarriet] Reflections on Our Obsession with “Calling Out” Cultural Appropriation []

Nikyatu [Nikyatu] #darkgirls Some of these mother daughter interactions are bordering on child abuse. NO WONDER YOUR CHILD HATES HERSELF!

the kinte space [KinteSpace] Internet Dating Scams Target Older American Women []

the kinte space [KinteSpace] Thank Donald Trump For Exposing How Racism Defines The Republican Party []

Chuck D [MrChuckD] The thugs never wanted to fk with the 5% nation because it was a nation NOT a gang.The USA LAW backs black on black crime. It feeds industry

the kinte space [KinteSpace] Top 10 Ways Your Privacy Is Being Invaded (and Sold, Traded, Auctioned, Analyzed, Repackaged, and Retargeted) []

the kinte space [KinteSpace] The dark truth about sexual harassment in our Armed Forces []

the kinte space [KinteSpace] Rhinos get camera implants to deter poachers []

the kinte space [KinteSpace] The mobile web sucks []

Imran Garda [ImranGarda] Africa is a country, Europe is an economy, China is a factory and America is a superpower.

Thaddeus Howze [ebonstorm] The Shocking Numbers that Reveal Just How Burnt Out American Workers Are []

the kinte space [KinteSpace] Diop on Mossi Constitutional Monarchy [] @medievalpoc

BBC Africa [BBCAfrica] US-Sudanese poet @mafiasafia is “fascinated by the erasures that happen under colonialism” [] []

Maria Popova [brainpicker] Beloved poet Nikki Giovanni on love, friendship, and loneliness[]

the kinte space [KinteSpace] Haile Gerima: “my films are imperfect” [] @megafunkmega

megafunk visual [megafunkmega] No dialogue – just 2 hours of robots & monsters clashing, please! []

the kinte space [KinteSpace] Music Foundations Tutorial – Chord Theory Part 1: Chord Inversions w/ Ma… []

the kinte space [KinteSpace] US Wins Math Olympiad For First Time In 21 Years []

the kinte space [KinteSpace] negritos feliz con Bugatti [] @megafunkmega

When Michael Gonzales wrote “Maiysha is the Future” this bit came out:

As a music writer for about twenty years, I cringe when unknown singers or bands invite me to their showcases. Sometimes folks just aren’t as good as they think they are, and I’m stuck with a frozen smile on my face, just trying to be polite. I say all that to say, in the ten years that I’ve known upcoming singer Maiysha, she has invited me to more than a few shows that I merely blew-off.

Heath Ledger as the Joker Okay: You see… the mufukkin Joker from the newest Batman movie has a “frozen smile” stuck on his face. I do not want to go out like that… There is some unseen part of me that has to be taken care of… and a singer like Maiysha and the thousands of those inviting Michael Gonzales to showcases will never take care of this part of me… These people are too busy trying to “be somebody”… It is my responsibility to take care of this unseen part of me. I can’t expect a “great artist” to come along and soothe me with their insight into the human condition while they ride around in a tour bus drinking from plastic bottles.

This hidden part of me is not only intangible but not valuable according to the Western marketplace. It is hard for properly assimilated Americans to know or care about this same unseen part within them… It makes me angry very quickly when a self-described “artist” is reeking of this style of thoughtlessness.

Artists here in the rasx context are supposed to be reflective, sensitive people with a rich inner life of creativity. Artists are usually people who had to defend/rebuild their inner child because of some kind of abuse or a Buddha-like awareness of suffering in the world. It follows that these restorative artists should loathe abusing/ignoring other people and it is a matter of pride with them to see qualities in other people that others, because of their false social boundaries and hierarchies, fail to see. (This implies that Blackness—with the capital B—is not of false social boundaries. Here in the rasx() context Blackness is toward the dark matter and dark energy in the universe itself… now that is actually deep! Is that too “pretentious” for you?)

Artists work hard—and a sign of that hard work is their careful study of the field they are supposedly interested in… The young artists that I respect (even though I do not accept the very concept of “art” as universal) already have studied the fame/success/money tragedies of those that came before them and at least “hope” they will not make the same dumb-ass mistakes. By the way, kids, reading the previous sentence and repeating it back to me in an “offline,” “private” email does not mean you have actually done the hard work of really respecting and absorbing your field. It might be better for you to decide you cannot understand what I am writing here and move on with your tricycle-riding ass… remember: you outnumber me and there is safety in numbers… unless you are on the Titanic

Buy this DVD at! The artists that really get my respect are historians as well as performers. The Carolina Chocolate Drops look like this to me (right about now). The black artists that are actually Black—almost African in their delivery—understand that they must have an active, non-exploitative relationship with their ancestors (yes, I know I have European ancestors too but keeping in contact with them is way too easy…). This is in stark contrast with the American-European (Byzantine) style of being magical, “coming out of nowhere” and being perfectly unique in every way. I trace this Indo-European wizardry back to the god-king (or goddess-queen) concept that started in Imperial Egypt (after the fall of the Old Kingdom) and took off in Babylon like Elvis taking off with the Blues to make those chariots rock and roll all the way to Constantinople. So it is very sad to see young “black” artists orbiting the planet Thoth comes from… no matter how “hard,” “fierce” and fresh they think they be…

Buy this Book at! My thoughts about the work people do have no limits—not because I have no limits but because thought itself has no limits. Just like how B.B. King anthropomorphizes his guitar Lucille, my thoughts are seen as an autonomous being that is not under my “control”—but they are of me at the same time. These two apparent “contradictions” are what makes Jazz so amazing to almost everyone on Earth and is the fascinating gateway into an ancient African intellectual world that makes European “philosophy” as dry and cold as the Osmond family getting a little country. (BTW: The reason why you have never heard of Bryan Wilhite, the ‘officially’ recognized published author, is because I continue to make supposedly “hostile” and “divisive” statements like the ones you are reading in this paragraph right now. So you are free to send me Osmond Family t-shirts and Osmond Family lunch boxes with the red thermos to show your support for ancient African, wisdom-based consciousness.)

To reverse a line from Laurie Anderson, this is not something I know for myself but this (anthropomorphizing) is from the stories my people tell. So when an artist invites me to look at their work, I am comparing their work to everything I and I have ever seen. I don’t play that “the kids need their own” artificial-scarcity, Viacom, Radio Disney shit. This means that there is no implied handicap when your work steps on stage. You play the guitar. Joni Mitchell plays the guitar. Just because you are young and Joni Mitchell is old, I am not going to pretend that Joni Mitchell does not exist (and pretend that her work is not forever young and alive with me) when you start strumming and singing. The only people who get this kind of break from me are pre-teens (I am even “harder” on my children). When you take the time to look at the level of variety and depth around a space that is supposedly “limited”—the so-called “ethnic” content here in the kinté space—you might be able to see that when you ask me to look at your shit you are asking quite a bit. This is why you, dude, will probably not ask me to look at your shit. And this is cool with me because the probability that “the next new thing” will totally suck is very, very high—and I am no Joker with the fake smile.

Buy this product at! Michael Gonzales has been vetting artists for two mufukkin’ decades and he has already told you nicely what I say bluntly: the probability that “the next new thing” will totally suck is very, very high. This is why this Heath Ledger kid, actually performing the Joker on par with Jack Nicholson and succeeding is such a pleasant surprise to me. (I get tired of seeing and subsequently complaining about whack shit!) His life ending is such a loss to real talent. What would be an even greater more pleasant surprise is Heath Ledger being born and raised in the United States—and being so talented. The American suburbs are built not to celebrate humanity on a massive scale—this awesome power structure of rebellious-docility and self-absorption peaked in the 1980s—so anyone coming out of the North American suburbs (especially the Californian suburbs) through the 1980s with any world-renown talent (especially a talent that requires a union of physical presence, precise intellection and deep soulfulness) is truly an amazing person. I’m sure you can think of some people who ran the gauntlet and was saved alive. I’m sure you can think of other brilliant people who had direct family ties to the Hollywood “business” and new from the inside knowledge not even to try. But Gwen Stefani was raised right next to mufukkin Disneyland and did a damn solid job on herself—but she and I are almost the same age… I’m thinking of younger artists here in the states… you guys… whew…

Hey artist dude! You hear what I’m saying? No? What a surprise. There are two very simple reductions that are likely to take place:

  • One: the person speaking to the artist is not directly linked to the big break or the next gig—so whatever this person says is irrelevant.
  • Two: the person speaking to the artist did not say he liked the work therefore he is not supportive and should be ignored forever.

Buy this product at! The artist dude is absolutely right to ignore me forever because most likely she never knew me in the first place. When an artist approaches to “share” their work with me, I see it as a freestyle moment of consultation and collaboration with no strings attached. Many artists that know me on a first-name basis do not see me as a consultant, confidant or a partner of any kind. My zero-reason for this is just the blindness of being busy (and often scared). My first reason for this is that these people are Americans and any American knows that a “partner” will ask for money—so the “smart” artist will keep as few money-grubbers as possible. Everybody goes solo. My second reason for this is that American artists probably saw Hollywood movies and Tee Vee shows about artists and are very preoccupied with having “fans” (especially paying fans) instead of critics. My mother was my first fan and few human beings on Earth have exceeded her adoration and her financial support. This means that critique, market research and mentorship are my priorities… I do not need any more fanatical mothers…

My third reason for this is because the artists have read the words you are reading now (including all those badly-written paragraphs above) and the conclusion is that I am “too angry” and “confused” to be of any help—even to myself. It is amazing how I even get out of bed in the morning! This reality will remain true until someone like Julian Schnabel reads me and finds me cool on the electric or paper pages of some slick magazine interview and suddenly all of the colored artists come running out of the woodwork to suck me dry. Do I sound bitter or do I sound like someone recounting the abridged historical record? Never forget that DJ Spooky called me a “hater.” Keep away.

My fourth reason is that many hard working artists from the ’hood see everything of value as something “hard” to reach. You know… like the Wizard of Oz is hard to reach… (and they usually attach a racial value as well)… My words are just sitting here on some flat disk connected to the Internet… too easy… feh… You can never say I didn’t try to warn you, Black… and that quip leads to my last reason: many not-so-young artists—some of whom made upwards of $20,000 a week—did not listen to my advice which was quite accurate (even when I was 19 years old!)—and I can assure you that I take no pleasure in telling them, “I told you so!” Because their success would have raised all boats and this rising would have taken me to heights of such high-dollar busyness that I (probably) would not have time to write so much (for your mufukkin’ benefit)… I would have been writing more stuff like “Digital Compositing for NTSC Broadcast Segments with Sonic Foundry Vegas Video 3.0”… These people, my friends (some ex friends), regard themselves as “failures” and my guidance only helps to avoid the hole but does not help one get out of the hole (with “magic”)… so… we don’t have much to say to each other (no comments from them on my Blog) and I am not much for distracting small talk (which is actually an important skill to have in the world of non-technical political maneuvering toward six figures)… I am very interested in what is wrong so it can one day be right

For many (usually very young) artists the very act of ‘comparing’ them to anyone shows no “respect.” The “agytator” Coco Black wrote a Blog post (that was later deleted) called “Janelle Monae & Coco Black: Moment of Reality!!” It might still be in the Google cache. Anyway, this is the thought-provoking part of what she wrote:

To be blunt—I don’t take kindly to being compared to people no matter how inevitable or well-intentioned it is. I like being myself. I don’t really feel flattered when someone tells me now that I look like Janelle Monae—not that I don’t think she is beautiful and extremely talented, but because that is her. That is what she has created and built and I take my hat off to her and her team.

Buy this product at! I am glad that she wrote this—because Coco Black speaks for an entire generation of young artists that don’t give a f’ about much. If we all wrote them checks every month for doing nothing, like some Bush/Chaney Imperial tribute, that would be cool with most of them (I do not include Coco Black here because I do not really know Coco Black). Both Janelle Monàe and Coco Black get their “lookalike” pompadour hair styles from Jackie Wilson (and James Brown—and Prince—and…). So for Coco Black to suggest (even in jest) that Janelle Monàe “stole” her hairstyle is just youthful angst that’s just not funny (can we get a fake smile for this one?). But Coco Black does make up for this by showing much respect to Grace Jones—in fact her crew has a whole “flashback Friday series”—so all is not lost…

The tactical problem with not being able to handle comparison is the danger of leading to being without compare. The egocentric perils of this danger are quite “inevitable.” Had Michael Jackson been too “incomparable” to study openly and respectfully Jackie Wilson he would not be the great dancer and general-purpose stage presence that he is (him studying Elizabeth Taylor too much was not a great idea)…

Trying to turn art into factory work is a full time job and the fear of wasting time is very strong. So I understand that Janelle Monàe will not have (or make) time to read stuff like, umm, “Introducing Janelle Monàe” and Coco Black has her own Blog so it might not make sense to read someone else’s. I don’t know everything. But just in case they come by these words years later, when the wolf-hound pursuit is all over, here’s one from Prince: “the beautiful ones always smash the picture… always… every time…”